A part of Kreiva Laboratories

Brendan Patrick Hogan

Hogan’s work combines practices in composition, sound and media design for the performing and visual arts, as well as electronics, programming and show control systems for live and installation/immersive performance events. He spends most days as the Key Sound Engineer at 5th Avenue Theatre in Seattle, WA.

Recent projects include over 50 productions at ACT Theater in Seattle, where he spent six seasons as the Resident Sound Designer, including music for Sugar Daddies with Sir Alan Ayckbourn, Tribes (2017 Gregory Awards winner) and Other Desert Cities; original music and sound design for Her Name Is Isaac and Giselle Deconstruct with The Three Yells; sound design and original music for Red (2012 Gregory Awards winner) at Seattle Repertory Theater. Other works include sound design, original music and installation musical instrument design for Chamber Cymbeline at Seattle Shakespeare Company; sound design and show control systems for Frost/Nixon, The Memorandum and The Birds (2016 Gregory Awards winner) at Strawberry Theatre Workshop; animatronics for Sprawl at Washington Ensemble Theatre; and performance control systems for Gary Hill (Unconditional Surrender) at the 2016 Northwest New Works Festival at On the Boards.

He is a three-time winner of Best Musical Score at the Seattle 48 Hour Film Project.

Professional Memberships:

    • International Alliance of Theatrical Stage Employees, Local 15
    • United Scenic Artists, Local USA 829 IATSE
    • Musicians’ Association of Seattle Local 76-493, AFM

Listen to audio examples on the (Audio) page.

View resume (here).


ACT Theatre
King Of The Yees – Desdemona Chiang, director
Tribes – John Langs, director
Sugar Daddies – Alan Ayckbourn, director
Bethany – John Langs, director
Below The Belt – Pam MacKinnon, director
Other Desert Cities – Victor Pappas, director
The Invisible Hand – Allen Nause, director
Yankee Tavern – Steven Deitz, director
Mary Stuart – Victor Pappas, director
The Prisoner of Second Avenue – Warner Shook, director
Double Indemnity – Kurt Beattie, director

Washington Ensemble Theatre
Mr. Marmalade – Katjana Vadeboncoeur, director
God’s Ear – Roger Benington, director
RoboPop! – Heidi Ganser & Ben Zamora, directors
Ed, Downloaded – Ali el-Gasseir, director
Sprawl – Ali el-Gasseir, director

Seattle Repertory Theatre
Red – Richard E.T. White, director

Strawberry Theatre Workshop
The Memorandum – Paul Morgan Stetler, director
Frost/Nixon – Greg Carter, director
The Birds – Greg Carter, director

Seattle Shakespeare Company
Chamber Cymbeline – Henry Woronicz, director

Center Theatre Group
Uncle Ho to Uncle Sam – Robert Egan, director

Baltimore Center Stage
King Of The Yees – Desdemona Chiang, director

George Street Playhouse
One Slight Hitch – Joe Grifasi, director

Arizona Theatre Company
Red – Richard E.T. White, director


Rendezvous Dogs – David S. Hogan, director
Karma Gettin’ – Ben M.F. Rapson, director
One Step Too Far – Ben M.F. Rapson, director
Reggie Clemons: Justice Derailed – Jen Marlowe, Director, Amnesty International


Giselle Deconstruct – Veronica Lee-Baik, choreographer
Her Name Is Isaac – Veronica Lee-Baik, choreographer


Giselle Deconstruct – Veronica Lee-Baik, choreographer
Borderlines – Fernanda D’Agostino, video artist
Unconditional Surrender – Gary Hill, video artist
Frost/Nixon – Greg Carter, director